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In 1610, Girolamo Diruta, a composer of the Venetian school, published Il Transilvano, which presented the Renaissance polyphonic style as a series of types: one note against one note, two notes against one note, suspensions, and so forth.
Fux's work repeated some of Diruta's, possibly coincidentally, since he is not known to have had a copy.
(Occasionally, in modern counterpoint textbooks, the third and fourth species are reversed with suspensions being taught before four notes against one.) Fux expressed the intention of adding sections on how to write counterpoint for more than four parts, indicating that rules in this area were to be "less rigorously observed".
However, citing his poor health as a result of gout and age, he chose to conclude the book as it stood..
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Almost all modern courses on Renaissance counterpoint, a mainstay of college music curricula, are indebted in some degree to this work by Fux.
Fux was born to a peasant family in Hirtenfeld, Styria, Austria.
1660 – 13 February 1741) was an Austrian composer, music theorist and pedagogue of the late Baroque era.